GODZILLA: THE PLANET EATER Review – Where did it all go so wrong?

the planet eater

It should have been epic. The Godzilla anime trilogy should have been a lot of things. The potential was there. In the first film, Planet of the Monsters, Godzilla was established as an unstoppable threat. I remember feeling in awe when he unleashed his iconic roar in the climax of the film. The actual movie wasn’t anything great, but it was decent setup. The potential was there. The sequel’s marketing hinted at a battle between Godzilla and a new Mechagodzilla. City on the Edge of Battle did not feature a Mechagodzilla throwdown, instead rehashing the battle against small machines from the first film.

City on the Edge of Battle had some neat ideas. Mechagodzilla taking over an entire city, and the Bilusaludo willing to become one with it in order to face Godzilla were interesting concepts. The problem is that these things completely took the place of why we watch Godzilla movies. In City on the Edge of Battle, Godzilla doesn’t do anything until after the first hour. That’s a bold move with a movie titled Godzilla, but maybe it could work if the climax was amazing. It wasn’t. At the very least, the poster for The Planet Eater showed Godzilla battling an intriguing new version of King Ghidorah. There is definitely a confrontation, but fans will likely be disappointed. The film itself is kind of bizarre in that it barely even feels about Godzilla at times.

Look, deep themes and meta storylines can be fascinating. Anime is home to many fantastic concepts and themes that Western animation barely touches. So, it’s certainly welcome that a Godzilla film in anime format could touch upon themes, such as what it means to be human, and the will to keep fighting. That sounds interesting, but it only works if the themes don’t overpower the kaiju element. The Planet Eater goes full on in attempting to convey something profound with its protagonist. The film is certainly thought provoking to some extent, but in the end, it got lost in its themes and forgot to be a quality movie. The ending is downbeat and out of left field, reminding everyone that this is the Haruo Sakaki saga with Godzilla just as a guest star. The after credits scene is strange in that it literally has nothing to do with Godzilla.

Now, that’s not to say everything about The Planet Eater is awful. The story, summed up, is about Metphies revealing his plan to Haruo. The Exif plans to bring King Ghidorah, a powerful space monster who the Exif worship as a god, to deliver Earth’s destruction. Haruo is of course against this, but is manipulated by Metphies in mind games. Ghidorah arrives on Earth, and Godzilla is powerless to stop him. With Haruo edging closer and closer to the end, Maina goes to the large egg and summons a familiar moth to go inside Haruo’s mind. With Haruo later back to his senses, it’s time to stop Metphies and Ghidorah’s menace…

haruo

So, one thing that was well done was the build-up to Ghidorah. I got goosebumps when hearing the classic Ghidorah cackle. Ghidorah is treated as a god-like being, and the scene where he arrives and destroys the Aratrum was awe-inspiring. His arrival on Earth was also well done, with the animation being quite good. The encounter between him and Godzilla was, at first, interesting. Godzilla was clearly on the verge of losing, and the overall feel was that of a big climax. The problem is that the way Ghidorah was designed did not allow for a very engaging battle. It was barely even a fight as Godzilla couldn’t even touch Ghidorah until later.

The strange thing is that the film teases viewers with the classic winged Ghidorah look, but we never actually see that in the flesh. An even bigger tease was Mothra. Yes, Mothra does sort of show up – but only as a silhouette who goes inside Haruos mind. That’s her only appearance. Mothra appearing in person to help take out Ghidorah? A team-up with Godzilla, as a reference to their partnership in Ghidorah, the Three-Headed Monster and Godzilla: Final Wars? Nah, none of that stuff. Instead, the film thinks we’re satisfied by Mothra being a flying shadow.

Some of the dialogue was good. The mind sequences with Haruo and Metphies were interesting, as Haruo was brought lower and lower by Metphies’ elegant vocabulary. Methphies was definitely a highlight of the trilogy, and it was great seeing him go full on calm fanatic in this movie. Haruo isn’t a terrible focus, but at this point we’ve so much of him and so little of Godzilla, that it’s hard to be engaged. It also doesn’t help that the ending was a terrible conclusion to his story.

The Houtua were interesting characters in City on the Edge of Battle, and the twins return here. One of the best sequences was Miana discovering Metphies’ alter to Ghidorah. Meanwhile, her sister, Maina has one notable scene where she goes to the Mothra egg. However, Maina is also given a rather…odd role. Haruo seems to have gotten over Yuko quickly, huh?

At this point, there isn’t too much else to be said about The Planet Eater, and the anime trilogy as a whole. Perhaps people who have never seen a Godzilla film will enjoy these more. The themes can be interesting, but they are sandwiched with dull pacing and little kaiju action. The Planet Eater teases with winged Ghidorah and Mothra, but not much happens there. Ghidorah’s “battle” with Godzilla did have some great moments, like Godzilla snapping one of the head’s jaws. But, it did leave a lot to be desired. The soundtrack was strong overall at the very least, especially when Ghidorah arrived. The Planet Eater attempts to be a deep movie, which is admirable, but in the process loses key things associated with the Godzilla saga.

ghidorah

All in all, The Planet Eater is a mediocre conclusion to a mediocre trilogy. Throughout the films, there have been great moments and intriguing concepts. But, there is no satisfying endgame. Planet of the Monsters was decent setup, and City on the Edge of Battle was one overly long middle act for The Planet Eater, none of which delivered. Hopefully Godzilla’s journey into anime doesn’t end here.

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Godzilla: Planet of the Monsters Review

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Ever since Godzilla made a triumphant return to the big screen in 2014 thanks to Legendary Pictures, the King of the Monsters has enjoyed a resurgence. TOHO released Shin Godzilla in 2016, crushing the Japanese box office. In 2019, Godzilla will once again return to American theaters, and in 2020, he will do battle with King Kong. In short, it’s a great time to be a fan. The latest film, Planet of the Monsters, marks a special achievement for the series: it is the first animated Godzilla film. Yes, there have been animated shows starring the king – namely the Hanna-Barbera show from the ’70s and the Animated Series two decades later – but this picture is the first film. Released January 17th on Netflix worldwide, Planet of the Monsters – Part 1 gives viewers new characters, new continuity, and most importantly, a new Godzilla. It’s a well made film, though suffers in some areas.

It begins in space where we meet our main character, Haruo Sakaki. He believes the elderly are getting sent off so there are fewer people to feed. It’s an effective sequence demonstrating the type of character Haruo is: passionate. After he’s arrested, we’re shown the title screen and then the most tension-filled part of the movie, the flashback. Here Haruo tells the viewer what happened at the end of the 20th century on Earth. Monsters rose up (including some familiar faces such as Orga and Kamacurus), and eventually Godzilla came. Two aliens species, the Exif and the Bilusaludo, also arrived. This was the prefect setup; it’s a shame it was told in this format instead of showing in detail the world getting taken over. Part 1 isn’t that long, so there was enough time in the beginning to further detail the flashback sequence. But, what we do get is still effective. Godzilla blows up a rocket that is trying to escape, which also kills Haruo’s parents. Soon, we’re back in the modern day.

This storyline of a human wanting to get revenge on Godzilla is nothing new. We’ve seen that in Godzilla vs. SpaceGodzilla, Godzilla vs. Megaguirus, and Godzilla Against Mechagodzilla. For the many going into Planet of the Monsters having never seen those films, this plot point will seem original. But for longtime Godzilla fans, the thought, “Here we go again…” may cross. But, the plot point is handled well for the most part. This is thanks to the passionate nature of Haruo’s character. Everyone on the spaceship seems to be content with looking for a habitable planet to colonize. Not Haruo. He’s passionate about Earth and taking it back from Godzilla. One of the best scenes is him arguing with Leland over retreating. Leland is not wrong when he says retreat is realistically the only option. The flying monsters were unexpected, and lives were lost. One can’t help but admire the dedication from Haruo as he argues with Leland, whether or not Haruo is in the right for talking against retreat.

This being a shorter film (only 88 minutes), there is not a lot of time for character development. The heroine of the story is Yuko Tani. Her only real development is the line, “I want to get stronger!” Beyond that, she isn’t given much to do. She has the potential to be an interesting character (voiced by Cristina Vee of Shantae fame), so hopefully she does more in the sequel. The most interesting character aside from the protagonist is Metphies, an Exif. His smart and sometimes ominous dialogue is interesting, and by the end, the viewer does not know what to expect from this guy in Part 2.

It takes a bit before the characters return to Earth. Some of the scenes in the spaceship border on the boring side, but there’s nothing too dull. The exchange between Metphies and Mulu-Elu Galu-Gu was particularly interesting. There’s some exposition as Haruo explains his plan to get past Godzilla’s defenses and destroy the monster from within. It’s told in a sciencey, but understandable way. When the characters finally arrive on Earth, things start to get interesting. Before we talk about Godzilla himself, let us discuss the film’s original monster. Though not named in the film, the flying monsters mentioned earlier in the review are called Servum. Their first sequence was well executed; it went down like something out of a horror movie. But, after that, these vicious creatures aren’t given much to do. Honestly, it felt like they were just there to satisfy the “Planet of the Monsters” title. (Other than Godzilla and the Servum, no other monsters appear in the present day.)

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Godzilla. The name is one of the most iconic in popular culture. This version of the king has a unique new look, but you can still tell it’s him. Though standard animation would have been preferable (imagine if Production I.G did the animation), one can’t deny how magnificent Godzilla looks thanks to the CGI. From the closeups to the distance shots of him firing his atomic ray, Godzilla looks great. Sadly, he isn’t given too much to do. He remains typically in an almost static position firing atomic blasts. He does get one nice scene of using his tail. But, there are no buildings to crush and no monsters to fight. This leads to a rather dull climax. The final battle features a bunch of air vehicles shooting Godzilla, and the latter retaliates with an atomic blast. Rinse and repeat.

The soundtrack is solid. The soldiers’ theme evokes the classic TOHO military march.  Godzilla himself gets an epic theme, similar to what was heard in Shin Godzilla. There is an after-credits scene. Haruo wakes up, apparently rescued by the mysterious girl we saw briefly running around in the bushes earlier in the film. She makes a sound of surprise…and that’s it. We know nothing about this character, so the cliffhanger does little to build anticipation for Part 2. (How about showcasing a monster reveal in a film called Planet of the Monsters?)

Like with a lot of Godzilla movies, there is a running theme. In Ghidorah, it was about putting aside differences and utilizing teamwork against a larger threat. In Hedorah, it was about fighting pollution. In this movie, it’s about human pride. The pride to fight, to not give up when things look bleak, and to press on knowing you might not make it. The speech Haruo makes when he’s put in charge exemplifies this: “If we stand our ground, we don’t show fear and if we put our lives on the line, we’ve already won.” It’s still hard to root against Godzilla, but one can’t help but want to see the human characters succeed in their endeavor. It’s an interesting conundrum. Godzilla is Godzilla, it’s hard to root against him. But thanks to Haruo’s unwillingness to relent, the viewer can’t help but root for him as well.

Overall, Planet of the Monsters gives viewers an intriguing status quo, but a bit of an underwhelming film. It’s not bad by any stretch. The story is good. The idea of Godzilla driving away humanity and somehow living on Earth for 20,000 years is epically interesting. There are some exciting moments (make sure you have your surround sound speakers ready for Godzilla’s roar near the end), and an engaging main character. The problem is that it doesn’t feel much like an actual “planet of monsters.” The battle scenes against Godzilla are fun for a bit, but during the climax the thought, “I wish he were fighting another monster” will probably occur. The Servum sadly don’t contribute much. It’s understandable that Part 1 would focus as setup. It’s a good enough story to make the viewer anticipate the next part in Godzilla’s anime saga.

7/10