Lucky Star Review

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What is the greatest sitcom of all time? That is a hard question to answer. Many would say some of these classics are: The Odd Couple, The Honeymooners, and I Love Lucy. Those are excellent choices, and it would be hard to disagree. I would throw in another popular choice to the mix. This choice is also a classic, though not retro like the others. The answer of course, is Seinfeld. I bring this up because Lucky Star’s humor often reminded me of Seinfeld.

Lucky Star is based on the 4-koma manga of the same name. Every episode features something new, and there are usually multiple segments in a single episode. In short, this series is the definition of an episodic format. The characters include Konata –  a manga/video game obsessed fan, Kagami – a tough, yet kind person who does well in school, Tsukasa – Kagami’s younger, timid sister, and Miyuki – a super intelligent, slightly introverted person, who doesn’t like going to the dentist. Other characters show up as well, and usually make the show all the more fun.

There are three core things that make Lucky Star so memorable. One of course, as already mentioned, is the humor. Konata is by far the most entertaining character, and easily one of the best characters in anime history. In one episode, Konata questions official statistics that state children are reading less. She mentions that with internet, shouldn’t children be reading more? After all, doesn’t reading blog posts count as reading? It’s this kind of ironic humor you don’t hear all too often that makes Lucky Star almost always engaging.

The second thing that makes Lucky Star great is the relationship between friends. The four main characters are true friends, and it shows. Lucky Star typically doesn’t have “emotional” sequences, but the ones that are there are really well done. Konata and Kagami always have their squabbles, but it’s all in good fun, and the viewer knows these two in particular are the best of friends. In one scene, the girls are at a concert. Unfortunately, Konata is on the shorter side, so she has trouble seeing the singer. Kagami takes notice, and switches her spot with Konata so the latter can get the full experience of the concert. It’s a subtle, but sweet scene.

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The third thing that makes this show so much fun is the constant anime and Japanese pop culture references. Of course, only fans like Konata would get some of these. In one episode, the girls are visiting Kyoto, and Konata says, “So Iris went inside here…” This is referring to the science fiction epic, Gamera III: The Revenge of Iris. In that film, the antagonist monster battled Gamera at Kyoto. The girls have no idea what Konata is talking about, but fans do. (I’m sure many of us could relate to Konata!)

The show is close to getting a perfect score, but is held back slightly. There are a few weak episodes, beginning with “Fixtures of Summer.” These episodes weren’t bad, but lacked the quality writing other episodes had. But, the show bounced back, delivering consistently quality stories after these weaker episodes. While most of the characters are good, Konata’s dad was questionable. His character quirk quickly became annoying.

There are some plot points that are mentioned, but not further touched upon. In one episode, Konata’s dad says he may plan to get married again. That is never followed up on. In another episode, the girls talk to Miyuki about going to the latter’s house. But, that conversation didn’t actually lead to them going there.Lucky Star gif 1

With all that said, any negatives in Lucky Star are offset by its many positives. The show is a success in the episodic format. It showcases genuine friendship. The final episode, where the girls perform the show’s theme song, was such a great way to close the story. Everything just comes together nicely. Also, the Akira Kogami ‘Lucky Channel’ segments at the end of each episode were fun. Simply put, Lucky Star is great. Every anime fan should watch it.

9/10

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In Search of the Lost Future Review

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In Search of the Lost Future incorporates quite a few genres. It is part slice of life; the episodes can have an episodic feel at times. But, it also has an ongoing storyline that runs seamlessly for most of the 12 episodes. It is part romance, and even science fiction. It combines these genres exceptionally well to tell a story that is engaging, emotional, and humorous.

It’s not perfect though. The ending is unfortunately disappointing, forcing the review to shave off a star. Some shows and movies are consistently mediocre, guaranteeing a mediocre score. Meanwhile, some things are perfect, but the ending wrecks the experience. (An example of that is the film, Puella Magi Madoka Magica the Movie: Rebellion.) In Search of the Lost Future is fantastic, but the ending does not feel like a satisfying culmination of all that has come before. It is not drastically bad as in the Rebellion example, however. Lost Future is nonetheless a very solid anime. Its primary positive is the factor that helps secure a very good rating. What is that factor? It features an incredibly likable core group of characters.

To briefly summarize the story: Sou lives with his childhood friend, Kaori. They are part of a school club called the Astronomy Club. The group is a close-knit friendship between five members. We have Airi, Nagisa, and Kenny. Things take a turn for the interesting when Sou finds an unconscious girl at the school. This girl, named Yui, does not remember her past. It later turns out that she is an artificial intelligence sent from the future by an older Sou to change the fate of Kaori, whom is in a coma due to getting hit in a bus crash. Kaori is in love with Sou, who is oblivious for most of the story. If Kaori tells Sou her feelings, what will his answer be? And can Yui save Kaori from an eternal coma?

The Good

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You’ve probably seen some shows where characters have a certain trait, and that’s it. They don’t have much actual personality aside from one core trait. (This is seen in Dragon Ball Super with Vegeta.) Not too long ago, I wrote a review for the anime, Karneval. It was decent. but nothing spectacular. The characters were more on the mediocre side. The protagonist of that show had attitude, but not much actual character apart from it. This is not the case with In Search of the Lost Future.

Take Airi for example. She is the tough one of the group, whom makes sarcastic comments to Sou quite often. But, she has a lot more character than just being the tough girl. She’s incredibly down to earth, such as when she consoles Kaori late in the story. It’s obvious that she cares about her friends, and is passionate. When another member pushes Kaori, Airi goes on the offensive and attacks the person. Airi also likes Sou, but keeps it to herself because she knows that Kaori is in love with him. The viewer does feel sad for Airi, but at the same time admires her for her ability to put that to the side for Kaori’s sake. Next we have Nagisa. She was fantastic, and gets some intriguing backstory later in the story. One of the best scenes of the show was when she barges into the computer group’s room, and beats a program they were working on.

Sou and Kaori are likable focuses. In Kaori’s case, the writing is once again down to Earth. The bus accident early on was felt. Yui is interesting, and she takes an even more central role later in the story. Of course, her goal is to save Kaori. But, as Yui later learns, doing that will erase herself from existence. This is an intriguing plot point that engages the viewer.

The dialogue in this anime is really good. The character interactions are almost always fun and engaging. There’s plenty of humor, but also heart-to-heart. These are true friends, and it shows in the words and actions. Simply watching them interact at the mall made for a fun episode.

The Bad

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The core characters are good, but Kenny had the least development. His running gag can be funny, but outside of that and his love of food, he didn’t have development. Still, he’s not terrible. It’s just that every other core character got personal scenes – Kenny got none. That’s not a big negative. The big negative, as stated earlier, is the overall ending.

Sou ends up rejecting Kaori in favor of Yui. (Sou has no idea that his future self created Yui for the purpose of saving Kaori.) But Yui ends up vanishing, thus erasing herself from the past timeline. So, Sou’s reason then for rejecting Kaori is that he can only see her as a childhood friend. It’s disappointing, especially during the original rejection. Sou liking Yui over Kaori was unneeded. Kaori does end up waking up in the future, so you could say it’s a happy ending. But, the conclusion just isn’t satisfying because Sou doesn’t reciprocate Kaori’s feelings, and he seemed to prefer Yui, an artificial creation.

You may argue that if Kaori and Sou did showcase romantic feelings for one another in the end, it would have been a generic ending. But generic is not bad in this case. The show builds up to that particular ending, and the way it does so makes that conclusion the only satisfying one. What we got does not do the story justice.

The Verdict

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In Search of the Lost Future is a near perfect anime affected by a mediocre ending. It’s still very good, earning itself a positive score. The core characters are excellent, I would even say some of the best. The story moves at a good pace, blending slice-of-life with ongoing plot. The ending does ruin the enjoyment a bit, but it isn’t terrible to the point that the viewer forgets how great everything else is. As such, Lost Future is not one of the all time greats, but still a very good watch.

8/10

 

The Rolling Girls Review

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There are great anime, there are bad anime, and then there are okay anime. A show like Guilty Crown edges more toward the negative side, while a show like Karneval edges more toward the okay side. One great – no, fantastic anime, is Attack on Titan. The studio behind that show is Wit Studio. In fact, it was because of the Attack on Titan anime adaption that made the Attack on Titan name one of the biggest of the modern era. Wit Studio should be commended for such incredible work. Today’s anime review is on The Rolling Girls. As you can probably guess, Wit Studio is the producer behind the show. Unlike Attack on Titan, The Rolling Girls is an original piece. (In fact, it was the studio’s first anime not based on a manga.) The plot is certainly interesting. A “Great Tokyo War” has divided the country of Japan, with different groups throughout the region. Each of the main groups are led by a “Best,” a being with special power seemingly thanks to a heart-shaped object called a Moonlight Stone.

The main, heroic Best we’re introduced to is Maccha Green. The more villainous Kuniko Shigyou is her rival. As the two duke it out over the course of two episodes, the battle eventually culminates in the two being seriously injured and sent to the hospital. Maccha Green’s apprentice, Nozomi, decides to travel around Japan with her friends on motorcycles in Maccha’s Green’s place. Hence the title, “The Rolling Girls.”

There are elements of greatness in The Rolling Girls. Indeed, there are often times of genuine emotion where we want to see the girls succeed in their endeavor. But, the show doesn’t rise to true greatness, settling at being more of an okay anime missing the title of great.

The Good

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The first two episodes are the best of the show. The story backdrop is interesting, as we’re introduced to two factions, the one led by Maccha Green (real name Masami Utoku) and the other group led by Kuniko. In such a short amount of time, these two characters are established as very likable and engaging. Kuniko comes off as charming – and unhinged, such as when she’s threatening to drop all of Masami’s friends from a roller coaster. Meanwhile, Masami is heroic, whose Maccha Green suit appears to homage tokusatsu characters like Kamen Rider. However, Masami is portrayed not as perfect like the original Ultraman. Rather, she deals with internal human conflict. This is evidenced when she monologues about the difficulty of being put in a position to reveal her secret identity, in order to save her friends from the roller coaster.

By the end of the second episode, both Masami and Kuniko are hospitalized. Nozomi becomes the main character, alongside Yukina, Ai, and Chiaya. Nozomi is a likable focus, because the writing shows her genuine wanting to be like her mentor and help people. Ai is probably the most interesting of the Rolling Girls, having a spunky personality. Although the running gag of her running into conflict only to be blasted away was annoying, one has to like her determined persona. She and Nozomi get into an argument late in the story, which leads to Ai breaking from the group. This was handled well and hit the viewer emotionally because of how close the group had become by that point.

Chiaya takes more of a center focus toward the climax of the show. Her character is very similar to Nai from Karneval. Unlike Nai, who came off at times as annoyingly naive, Chiaya comes off as sweet, having a genuine longing for friends. Her relationship dynamic with her mother was interesting. Perhaps the most emotionally well done part of the show was when Chiaya tells Nozomi in the final episode, “You were my Maccha Green.” Some of the visuals in this show are unique. I was taken aback by how beautiful and surreal the backgrounds of Always Comima were. The soundtrack is solid. I particularly liked the song that played during Maccha Green’s fight with Kuniko in episode two; it gave the battle an even more stylistic flare. Speaking of the action, when fight scenes do occur, they are a lot of fun. Besides Maccha’s encounters with Kuniko, one of the biggest highlights in the action department was the battle between Haru Fujiwara and Ura Kukino later in the story.

The Bad

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Nozomi’s group is a likable focus. Nozomi is engaging, Ai is fun, and Chiaya is sweet. Notice how I left Yukina out of that sentence? She wasn’t bad, but lacked personality. She came off as shy, and that’s it. Unlike the other characters, it was hard to gauge the type of person she is, aside from being more on the shy side. She isn’t the major problem here, however.

The problem is that Maccha Green and Kuniko are too great to sit on the sidelines.

Nozomi is fine, but there’s a reason why the show never got as good as its first two episodes. The relationship between Maccha Green and Kuniko is fascinating. Near the end of episode two, there is rushed exposition that the two actually knew each other. This didn’t have to be rushed if the show had chosen to focus on these two. Instead, the writing benches the two most interesting characters until near the end of the show. When they do come back, they’re teaming up and it’s good stuff. Nozomi’s group just weren’t capable of being as engaging in comparison.

Another big problem is the under-utilization of quality antagonists. There is no real main antagonist until near the end. She, Shima Ishizukuri, was great, but terribly under-utilized. Why did she give up in the end? The whole resolution came off as rushed. Another great character was Shutendōji, whose “Life is about killing time” shtick was interesting. But, in the end, it appeared as if he was helping the characters, thus making his character supremely confusing.

There is often too much of a comedic tone coming from the episodes. The writing could have used the fascinating background of the Great Tokyo War to deliver an engaging story in the modern day. What we do get is still okay, but it rarely rises to excellence past its first two episodes.

The Verdict

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If the show had opted to keep Maccha Green and Kuniko as the primary focus, we could have had something truly great. If the writing really wanted Nozomi’s group to be a center focus, all it had to do was have Maccha and Kuniko fail a mission late in the show, and have Nozomi’s group continue where the two characters left off. It would be serious, but could still offer comedy in the form of the character interactions. Make no mistake though: The Rolling Girls isn’t bad. There are some notable characters that appear, like Ura. But, The Rolling Girls is also a missed opportunity for something special.

7/10

Karneval Review

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Released in 2013, the Karneval anime is an adaption of the manga by the same name. The story follows a creature named Nai. Nai is apparently half “niji” and half human. Nai is looking for his caretaker, a man named Karoku. A crook named Gareki runs into Nai, and the two of them end up meeting up with a government organization named Circus. Circus’ goal is to protect citizens from monsters called Varuga and a sinister organization called Kafka. Based on the summary, Karenval sounds like a fun story. It is a fun 13 episodes, but lacks in key areas.

The Good

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The action in this anime is slick. From the opening fight with Gareki against a Varuga, viewers know they’re in for a treat. A few of the characters are notable. Though Gareki was annoying sometimes, he did have a good character arc. By the end of the show he emerged with a more heroic mindset, and a willingness to open himself up to the idea of belonging to a group. One of the stronger aspects of the show was the parts that focused on Gareki’s past, and how it relates to the present.

The Captain of the Second Ship, Hirato, was perhaps the most compelling character. He takes his role as a high ranking official seriously, but does care sincerely for his subordinates. He also has a subtle inspiring persona that the writing smartly utilizes, especially in the final episode when he’s talking to Gareki about the latter’s future. Tsukumo had little personality other than just being the super serious character for a good chunk of the show. That changed a bit in the latter part, when she realized that it might be her last night alive. Her monologue, saying how she wished she would have talked to everyone more, was genuinely emotional. Though she is good to have around, it would have been effective to see her actually die. It would have left an impact on the cast and viewer.

Nai’s character arc is a bit mixed. He works best as a character counter to Gareki. It is primarily because of Nai that Gareki starts to have a different mindset. The writing does a good job building and establishing the friendship between the two. Finally, the soundtrack is very good.

The Bad

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Characters are perhaps the most important part of any movie or show. Karneval does not have a bad cast, but not a particularly strong one either. Each of the characters have their personality trait, which is good of course. But, it seems like some of these characters are known by just their personality type rather than actual character. Gareki is a hotshot, Tsukumo is super serious, and Nai is naive but caring. These characters do get good moments, but they can’t be called “great” characters.

The biggest crime Karneval commits is the pacing. The story in concept is good, but it takes awhile for it to get rolling. 13 episode animes should not have filler, but you will find filler scenes in Karneval. The lack of an ongoing primary antagonist is also a huge negative. Well, I should say that there is a main villain, Palnedo, but he barely appears. (Where was he in the final episode?) One could argue Karoku is the main villain, but it is confusing of what exactly happened to him or what his ultimate goal was. The two most interesting villains were Uro and Meiga. If the writing was going to regulate Palnedo to background status with no conclusion, he should have been removed from the cast in favor of one of those two getting a bigger role.

Karneval ends at Episode 13 with an unsatisfying conclusion. Karoku is found, but Palnedo is still out there. If Karneval had a second season, this would be fine. But there isn’t a second season, making the “ending” lackluster.

The Verdict

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Karneval has a lot of potential that is squandered on filler scenes. Character interactions mix from great to mediocre. (Yogi’s befriending of Gareki and Nai was too sudden to be realistic.) Still, to call the show bad would be a disservice. The story is unique enough to keep the viewer engaged, and the action scenes have a nice style. The characters are interesting enough (but not superb) thanks to key developments. Karneval is fine, but there are better animes in the genre to watch.

7/10

Godzilla: Planet of the Monsters Review

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Ever since Godzilla made a triumphant return to the big screen in 2014 thanks to Legendary Pictures, the King of the Monsters has enjoyed a resurgence. TOHO released Shin Godzilla in 2016, crushing the Japanese box office. In 2019, Godzilla will once again return to American theaters, and in 2020, he will do battle with King Kong. In short, it’s a great time to be a fan. The latest film, Planet of the Monsters, marks a special achievement for the series: it is the first animated Godzilla film. Yes, there have been animated shows starring the king – namely the Hanna-Barbera show from the ’70s and the Animated Series two decades later – but this picture is the first film. Released January 17th on Netflix worldwide, Planet of the Monsters – Part 1 gives viewers new characters, new continuity, and most importantly, a new Godzilla. It’s a well made film, though suffers in some areas.

It begins in space where we meet our main character, Haruo Sakaki. He believes the elderly are getting sent off so there are fewer people to feed. It’s an effective sequence demonstrating the type of character Haruo is: passionate. After he’s arrested, we’re shown the title screen and then the most tension-filled part of the movie, the flashback. Here Haruo tells the viewer what happened at the end of the 20th century on Earth. Monsters rose up (including some familiar faces such as Orga and Kamacurus), and eventually Godzilla came. Two aliens species, the Exif and the Bilusaludo, also arrived. This was the prefect setup; it’s a shame it was told in this format instead of showing in detail the world getting taken over. Part 1 isn’t that long, so there was enough time in the beginning to further detail the flashback sequence. But, what we do get is still effective. Godzilla blows up a rocket that is trying to escape, which also kills Haruo’s parents. Soon, we’re back in the modern day.

This storyline of a human wanting to get revenge on Godzilla is nothing new. We’ve seen that in Godzilla vs. SpaceGodzilla, Godzilla vs. Megaguirus, and Godzilla Against Mechagodzilla. For the many going into Planet of the Monsters having never seen those films, this plot point will seem original. But for longtime Godzilla fans, the thought, “Here we go again…” may cross. But, the plot point is handled well for the most part. This is thanks to the passionate nature of Haruo’s character. Everyone on the spaceship seems to be content with looking for a habitable planet to colonize. Not Haruo. He’s passionate about Earth and taking it back from Godzilla. One of the best scenes is him arguing with Leland over retreating. Leland is not wrong when he says retreat is realistically the only option. The flying monsters were unexpected, and lives were lost. One can’t help but admire the dedication from Haruo as he argues with Leland, whether or not Haruo is in the right for talking against retreat.

This being a shorter film (only 88 minutes), there is not a lot of time for character development. The heroine of the story is Yuko Tani. Her only real development is the line, “I want to get stronger!” Beyond that, she isn’t given much to do. She has the potential to be an interesting character (voiced by Cristina Vee of Shantae fame), so hopefully she does more in the sequel. The most interesting character aside from the protagonist is Metphies, an Exif. His smart and sometimes ominous dialogue is interesting, and by the end, the viewer does not know what to expect from this guy in Part 2.

It takes a bit before the characters return to Earth. Some of the scenes in the spaceship border on the boring side, but there’s nothing too dull. The exchange between Metphies and Mulu-Elu Galu-Gu was particularly interesting. There’s some exposition as Haruo explains his plan to get past Godzilla’s defenses and destroy the monster from within. It’s told in a sciencey, but understandable way. When the characters finally arrive on Earth, things start to get interesting. Before we talk about Godzilla himself, let us discuss the film’s original monster. Though not named in the film, the flying monsters mentioned earlier in the review are called Servum. Their first sequence was well executed; it went down like something out of a horror movie. But, after that, these vicious creatures aren’t given much to do. Honestly, it felt like they were just there to satisfy the “Planet of the Monsters” title. (Other than Godzilla and the Servum, no other monsters appear in the present day.)

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Godzilla. The name is one of the most iconic in popular culture. This version of the king has a unique new look, but you can still tell it’s him. Though standard animation would have been preferable (imagine if Production I.G did the animation), one can’t deny how magnificent Godzilla looks thanks to the CGI. From the closeups to the distance shots of him firing his atomic ray, Godzilla looks great. Sadly, he isn’t given too much to do. He remains typically in an almost static position firing atomic blasts. He does get one nice scene of using his tail. But, there are no buildings to crush and no monsters to fight. This leads to a rather dull climax. The final battle features a bunch of air vehicles shooting Godzilla, and the latter retaliates with an atomic blast. Rinse and repeat.

The soundtrack is solid. The soldiers’ theme evokes the classic TOHO military march.  Godzilla himself gets an epic theme, similar to what was heard in Shin Godzilla. There is an after-credits scene. Haruo wakes up, apparently rescued by the mysterious girl we saw briefly running around in the bushes earlier in the film. She makes a sound of surprise…and that’s it. We know nothing about this character, so the cliffhanger does little to build anticipation for Part 2. (How about showcasing a monster reveal in a film called Planet of the Monsters?)

Like with a lot of Godzilla movies, there is a running theme. In Ghidorah, it was about putting aside differences and utilizing teamwork against a larger threat. In Hedorah, it was about fighting pollution. In this movie, it’s about human pride. The pride to fight, to not give up when things look bleak, and to press on knowing you might not make it. The speech Haruo makes when he’s put in charge exemplifies this: “If we stand our ground, we don’t show fear and if we put our lives on the line, we’ve already won.” It’s still hard to root against Godzilla, but one can’t help but want to see the human characters succeed in their endeavor. It’s an interesting conundrum. Godzilla is Godzilla, it’s hard to root against him. But thanks to Haruo’s unwillingness to relent, the viewer can’t help but root for him as well.

Overall, Planet of the Monsters gives viewers an intriguing status quo, but a bit of an underwhelming film. It’s not bad by any stretch. The story is good. The idea of Godzilla driving away humanity and somehow living on Earth for 20,000 years is epically interesting. There are some exciting moments (make sure you have your surround sound speakers ready for Godzilla’s roar near the end), and an engaging main character. The problem is that it doesn’t feel much like an actual “planet of monsters.” The battle scenes against Godzilla are fun for a bit, but during the climax the thought, “I wish he were fighting another monster” will probably occur. The Servum sadly don’t contribute much. It’s understandable that Part 1 would focus as setup. It’s a good enough story to make the viewer anticipate the next part in Godzilla’s anime saga.

7/10

Barakamon Review

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There are slice-of-life shows like Spongebob Squarepants where episode order doesn’t really matter most of the time. The opposite of that is a show like Young Justice – a show that features an ongoing storyline. Combining these two ideas, ‘slice-of-life’ and ‘plot driven,’ can be tricky. The rewards are high however, as this kind of show can deliver a unique, down-to-earth experience while also showing quality character development. That perfectly defines Barakamon, a great anime with memorable characters.

Barakmon follows Seishū Handa, a calligrapher whom is sent to an island after punching an exhibition curator for criticizing Handa’s work. On this island Handa looks to improve his calligraphy, and unexpectedly develops genuine friendships.

From the onset, Handa is a unique character. We’re shown his anger in that first episode when he punches the curator for insulting his “textbook” work. By the end of that episode, Handa begins to develop his own unique style for calligraphy by not sticking to the rigid ruleset he had been using. A lot is accomplished in that first episode, and things get even more interesting in Episode 2, which introduces more characters. Hiroshi is inspired by Handa to do better in school, which shows great development on Handa’s part. And that’s just Episode 2.

One more note about the second episode – the entire sequence with the senior patient (ghost?) talking to Handa was excellent. So, moving on to the main focus of the show other than Handa: a little girl by the name of Naru. She quickly befriends Handa, and Handa grows to care about her. Her character is one of great, genuine cheerfulness. Her child-like wonder, but having a special wisdom, is well done and serves as one of the catalysts to Handa’s changing as a calligrapher, and a person.

The characters all bring something to the table. Miwa and Tamako are fun to have around. Miwa’s outgoing personality and Tamako’s love of manga never gets old. Naru’s friendship with Hina is sweet, and Takao’s interactions with Handa are always fantastic. Characters in a slice-of-life-like story are very important, and Barakamon doesn’t fail there. It’s truly amazing what is accomplished throughout the 12 episodes. By the final episode, the viewer has grown attached to Handa’s inner journey and the people on the island. The phone call near the end was well done, and the viewer understands Handa’s wanting to go back to the island – because that’s where he met so many genuine friends and began his true work as a calligrapher.

This review is a bit shorter than usual, but I think I got the message across: Barakamon is a great anime with an inspirational message. Sure, some of the comedic scenes might go on a little too long, but that’s really just a minor thing in the long run. Handa’s journey from disgruntled calligrapher to a changed individual with his own style of work is amazingly done. The characters, especially Naru, are well developed and a lot of fun to have around. Oh, and the opening theme is one of the best.

9/10

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Yatterman Night Review

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Who doesn’t love a good tokusatsu? From Ultraman to Super Sentai, the genre remains a fixture in Japanese pop culture. It unfortunately isn’t too popular in the United States. Outside of Power Rangers, tokusatsu is relatively unknown. There have been many shows throughout the years in Japan, one of which is Yatterman. The original anime aired in the ’70s, and though it’s not as popular as Ultraman, the main characters nonetheless did make it into the video game Tatsunoko vs. Capcom. Yatterman would go on to appear in a remake show and even a live action movie. Most recently, Yatterman got an anime cerebrating its 40th anniversary titled Yatterman Night. FUNimation released it in North America not too long ago, which is great because the show is quite engaging.

The opening scene sets up the story with the attack and now iconic quote, “It’s punishment time!” It’s amazing how this sequence connects when everything comes together in the final episode. Back to Episode One, it does a fantastic job setting up most of the main characters. We’re introduced to Leopard and her relationship to her mother Dorothy. Anime deserves a lot of credit, because in just one episode it can establish how genuine a relationship is and make us care for the characters. Here we see the mother-daughter love these two have. We’re also introduced to Voltkatze and Elephantus, where we see they are servants for Dorothy.

The story really kicks off when Leopard finds out that she, Dorothy, Voltkatze and Elephantus are descendants of the Doronbow Gang. This is fascinating because all this time Dorothy had been reading to her daughter the story of how Yatterman defeated the Doronbow Gang. Leopard is dismayed at her heritage, and she also learns that many years ago Yatterman banished the Doronbow Gang, and her descendants continue in that banishment on the island they were exiled to.

Soon Dorothy grows ill. Leopard decides to take a boat to Yatter Kingdom and ask Yatterman for help. After all, he’s a hero, right? So when Yatterman and Lady Yatterman are in sight, Leopard understandably rejoices…until her boat is blasted and the two “heroes” shout that intruders are not welcome. This moment changed everything. The show’s main plot point is the mystery of what’s happening in Yatter Kingdom. Why is Yatterman not acting like the hero of legend? It’s an engaging concept, and one the writing uses mostly perfectly. At the end of Episode One, Leopard dons a Doronjo costume, likewise Volkatze as Boyacky and Elephantus as Tonzra.

So, we have a reversal of roles. Doronjo’s gang are the good guys while Yatterman has seemingly turned into a dictator. There’s a great sense of tension among the episodes. Who can forget the Yatter soldiers chanting “Yatter!” in Episode 2? The most powerful scene showing the extent of the living hardship in Yatter Kingdom is found in Episode 4. A pregnant wife’s husband is drafted into serving Yatterman for 35 years where he’ll never be able to see her. He’s told it’s an honor to serve Yatterman. The viewer can see the terror and sadness on his wife’s face as she does the Yatter salute. This scene further cements Doronjo’s mission to “give Yatterman a forehead flicking.” It’s at the end of this episode where she says that Yatter Kingdom is a hell.

The show is mostly fantastic, but there are scenes that take away a star. Chief among the negatives is Episode 7, which was mostly filler and just not engaging. This is thanks to Ryu, a character the heroes run into. I’m all for the heroes running into people affected by Yatterman’s rule…but only if they’re actually likable. Ryu’s gimmick is that he loves fish, to a disturbing extent. He talks about being wrapped around in octopus’ tentacles. It’s a little fishy, excuse the pun. I don’t care about this guy “achieving his dream,” as the episode wants viewers to. There’s also Takeshi in Episode 5. His arc was engaging, but his gimmick of relieving himself got annoying quickly. Yatterman Night is unfortunately sometimes hit with childish and strange humor.

Thankfully, the negative things don’t usually take center stage for too long. The show also gives us two more characters, Galina and Alouette. These two would become vital and epically engaging in the final episode. In the meantime before that, they aren’t bad. Galina attempting to spy on Alouette though at a hot springs was unneeded and hurt the character. Besides that, he’s given solid development throughout the show. Oh, one more heroic character whom can’t be forgotten is Honorable Oda. This pig made for a fun animal mascot without going overboard.

One subplot that wasn’t needed was Doronjo having feelings for Galina. By the end of the show, it didn’t go anywhere. Why was it added? Back to overall characters, General Goro is the antagonist whom goes after the heroes throughout the episodes. He’s a fun villain to have around. The plot twist with him later on is brilliant and adds a sense of tragedy to his character. The music that usually plays when he’s around is awesome as well. The anime’s soundtrack is strong all around, complete with a great opening theme song.

There aren’t many one-on-one fights unfortunately. Still, when the action is there, it’s fast paced. The last two episodes did an incredible job bringing everything together. The writing is great as it explains the big plot twist. The final showdown is epic and inspirational, bringing the show to a memorable close.

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Overall, Yatterman Night is an excellent take on the Yatterman franchise. Instead of being a remake, it’s set many years into the future of the original show, making it an interesting sequel. The ongoing mystery of why Yatterman has seemingly become a tyrant is engaging. Doronjo is a great protagonist, fighting as a promise to her mother and to save the people of Yatter Kingdom. Viewers get a sense of how genuinely Doronjo cares for others. The cast is good as well, all having diverse personalities. Sadly, questionable humor and the disturbing fish lover removes a star. But, the show is still a very good addition to the tokusatsu library and a must see for Yatterman fans. Even if you’re not familiar with the character, definitely give this show a watch.

8/10